The Cello Suites: J. S. Bach, Pablo Casals, and the Search for a Baroque Masterpiece by Eric Siblin Download (read online) free eBook (PDF ePub Kindle)

The Cello Suites: J. S. Bach, Pablo Casals, and the Search for a Baroque Masterpiece

One autumn evening, not long after ending a stint as pop music critic at the Montreal Gazette, Eric Siblin attended a recital of Johann Sebastian Bach’s Cello Suites. There, something unlikely happened: he fell deeply in love with the music. So began an epic quest that would unravel three centuries of mystery, intrigue, history, politics, and passion.

Part biography, part m

Part biography, part music history, and part literary mystery, The Cello Suites weaves together three dramatic narratives: The first features Johann Sebastian Bach and the missing manuscript of his suites from the eighteenth century; the second follows Pablo Casals and the historic discovery of the music in Spain in the late nineteenth century; and the third is Eric Siblin’s own infatuation with the suites in the twenty-first century. This love affair leads Siblin to the back streets of Barcelona and a Belgian mansion; to interviews with cellists Mischa Maisky, Anner Bylsma, and Pieter Wispelwey; to archives, festivals, and conferences; and even to cello lessons – all in pursuit of answers to the mysteries that continue to haunt this piece of music more than 250 years after its composer’s death.

The Cello Suites is an incomparable, beautifully written, true-life journey of discovery, fuelled by the transcendent power of a musical masterpiece.
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    Michael Finocchiaro

    This is a highly readable and entertaining book about Bach’s Cello Suites which covers Bach’s biography, that of the epic Cellist Pablo Casals who re-discovered the suites (his fabled recording was my entry into the Bach world), and the author’s own research and fascination with Bach and the Suites. Far less erudite (and most likely less factual as well) than the awesome Christoph Wolff biography, this one is a quick read and does feature some interesting anecdotes and gave me a new appreciation

    I now have about 18 copies of the suites and they are all incredibly different. Of course, Casals is the first landmark recording, but Paolo Pandolfo’s is quite beautiful. Ophélie Gaillard’s is quite amazing as are those of Jonas Starker and Steve Isserlis. I actually attended a recording of a Radio France show where they did a blind test with three erudite music critics who chose the best one. It turned out I only had two of the cellists that they discussed (and apparently the wrong one by Wispelwey – the 2012 version is the one to get, not the 2008 one), and the Jean-Ghiilen Queyras one won by both the critics and the studio audience. What is spectacular is that this piece of music doesn’t have a definitive score or specific meter or dynamic notations which makes each of the interpretations unique. It is worth listening to several versions to catch all the nuances.
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